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GOOD SCREENS — IT’S NICE THAT INSIGHTS

 

Good Screens begins with a direct question: we live in an age of “bad screen time”, but could technology instead feel balanced, fulfilling — even good?

 

Published by It’s Nice That Insights, the report looks at growing fatigue around screens, smart products and always-on technology as a question of both design and culture. Do we really need our devices to keep doing more? Should technology become quieter and less intrusive, or more expressive, strange and physically present? And as consumer electronics become increasingly seamless, uniform and closed, what other relationships with our devices might be possible?

 

Good Screens brings together work and perspectives from across art, design and creative technology to explore these questions. Your Immoral Artificial Ear appears within this wider conversation as a different proposition for what a listening device can be.

 

Published 12 August 2026

Words: Megan Williams

Report Design: Studio Dial

READ THE FEATURE 

Download The Good Screens Report

GOOD SCREENS — IT’S NICE THAT INSIGHTS

 

Good Screens 从一个很直接的问题开始:我们生活在一个充满“bad screen time”的时代,但科技有没有可能让人感到平衡、充实,甚至是好的?

 

这份由 It’s Nice That Insights 发布的研究报告,将当下人们对于屏幕、智能产品和持续在线状态的疲惫,看作一个关于设计与文化的问题:我们是否真的需要设备做得越来越多?未来的科技应该更加安静、隐形,还是可以更外放、更奇怪、更有身体感?当主流消费电子越来越趋向统一、光滑和封闭时,我们还能怎样重新想象人与设备之间的关系?

 

围绕这些问题,Good Screens 收录了来自艺术、设计、creative technology 及不同 studio 的作品与观点。《Your Immoral Artificial Ear》也在其中,作为一种不同的 listening device 被放进了这场讨论。

 

Published 12 August 2026

Words: Megan Williams

Report Design: Studio Dial

READ THE FEATURE 

Download The Good Screens Report

Screenshot 2026-08-20 at 22.40.28.png

SHOWING THE SEAMS

 

Within the report, Your Immoral Artificial Ear appears in “Showing the seams”, where Good Screens looks more closely at its visual language and construction.

 

Rather than enclosing its wires, circuit board and electronic components within a smooth, finished shell, the Artificial Ear brings these normally hidden parts to the surface. Its transparent casing keeps the internal structure visible; wires extend openly from the device, making it appear less like a sealed consumer product and more like a structure whose workings remain present.

 

Good Screens describes this as an “inside-out approach to design.” The report considers not only the visual effect of exposed electronics, but what it might mean to let a machine reveal itself today. At a time when technology is increasingly concealed behind seamless interfaces, uniform surfaces and inaccessible systems, showing the construction of a device can suggest a different kind of directness — even a certain honesty.

 

The report also identifies a sense of nostalgia, or anemoia, in this visual language: not simply a retro aesthetic, but a longing for another imagination of technology, before electronic devices became increasingly clean, closed and opaque.

 

This offers another way of reading the Artificial Ear. Its sense of the future does not come from inventing a new technology. It uses familiar forms of digital storage, electronic playback and Bluetooth transmission. What changes is how these existing technologies are put together, what kind of object they become, and what kind of relationship we are invited to have with them.

SHOWING THE SEAMS

 

在报告的 “Showing the seams” 一节中,Good Screens 从 Artificial Ear 的外观和构造继续展开了对它的讨论。

 

它没有把线路、电路板和电子元件收进一个完整、光滑的产品外壳里。相反,这些通常会被消费电子设计隐藏起来的部分,在 Artificial Ear 中直接成为了物件的表面:透明外壳让内部结构保持可见,线路从机器中延伸出来,听觉设备看起来更像一个正在工作的结构,而不是一个已经被封装完成的产品。

 

Good Screens 把这种做法称作一种 “inside-out approach to design”。报告所关注的不只是这种视觉语言本身,而是“让机器显露自身”在今天意味着什么:当越来越多的技术被包裹在无缝的界面、统一的外观和不可见的系统之后,暴露线路、结构和工作方式,反而产生了一种直接甚至有些粗粝的诚实感。

 

报告也在这种外观中读到了一种 nostalgia / anemoia——不是简单复古,而是对另一种技术想象的回望:一个电子设备还没有完全变成干净、封闭、不可拆解的黑盒子的时代。

 

这个角度也提供了一种理解 Artificial Ear 的方式。它使用的并不是未来才会出现的技术,而是我们已经非常熟悉的存储、播放、蓝牙和电子元件;变化的是这些技术被重新组合之后,成为了什么样的物件,以及我们被邀请以什么方式与它发生关系。

YOUR IMMORAL ARTIFICIAL EAR © 2026 ZHUYANG LIU — PART OF THE YOUR ARTIFICIAL EAR UNIVERSE. ALL RIGHTS RESERVED.

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